In this course, students learn the craft and theory behind 2D character design for animated shows, movies, video games, anime, graphic novels, and your own intellectual property.

The art of character design will be approached through a step-by-step process, where students serve as storytellers to their own characters, designing not only their visual design, but their personalities and emotions through the art of facial expression, clothing, and posture. Using shape driven design and construction, poses and character turnarounds, students will gain anatomical drawing and technical skills required to build their own figures and work towards creating their own portfolio of work. 

Sharing their work with their peers and instructor, students will receive thoughtful, in-depth feedback, culminating in the creation of their own character model sheets. 

Towards the end of the course, students will gain insight into the animation industry, including portfolio creation, professional design roles, avenues of study for college, and insight on industry design tests for jobs in animation and gaming. 

Students with some drawing experience may be more prepared for this course, but skills are not required.

Course Materials: Students can work traditionally, or if working digitally, students should bring their iPad or laptop. All other materials will be provided. 

Designed for students with experience in drama who are interested in developing original theatrical productions, the course emphasizes the working relationship between actor, director, and playwright, and the unique dynamic that exists between them when working on untried material.

Workshops and lectures during the first week introduce students to the demands of play development. Students then elect to specialize in one of three areas: acting, directing, or playwriting. The remainder of the course is given over to the development of short plays to be written, directed, and acted by the students under the supervision of theatrical professionals. In small, autonomous groups of actors, each with its own director and playwright, students create a production to be mounted at the end of the program.

Workshops are interactive, with the evolving pieces of each play periodically shown to the entire group for feedback in a safe, supportive environment. The course affords students a unique opportunity to experience the nuances of professional theatrical collaboration.

On the last Thursday of the session, several of the completed plays are performed for an audience of peers, friends, and family members. Students present one evening performance and one matinee.

Prior experience in amateur community or high school theatre is recommended.

In this workshop based course, participants learn all the basics of making a strong, visually-driven short film with an emphasis on narrative storytelling. The course focuses on the fundamentals of video production: essential film grammar, story development, script, camera, sound, music and editing.

Working in small groups, students shoot three “exercises” before making their final films. The exercises start off simply, adding a new element of filmmaking with each new assignment.

Students work sequentially through the stages of production: initial concept, synopsis, treatment, script, storyboards, and final shooting and editing. During pre-production participants learn how to work in a group to plan for and realize a short film from concept to shooting script. During production they work together to coordinate and shoot their scripts. And finally in post-production they edit and polish their projects. The instructor provides guidance throughout the process, emphasizing the students’ responsibility for carrying the project from inception to completion.

The emphasis throughout the three weeks is on collaborative teamwork. Over the course of the various exercises, each student takes on a variety of different roles within the production teams, such as director, screenwriter, cinematographer, editor, sound. For the final project each student will write and direct a 1-2 minute short film collaborating with their teams  The final film will employ everything that the student has learned about storytelling and the technical aspects of filmmaking (camera work, costumes. sound, props, lighting. etc.).

On the last day of the program, students screen their completed films at a film festival attended by all sections of the digital filmmaking course. The completed films can be used for submission to short film festivals and as portfolio pieces for film or art school applications.

Laptops are recommended but not required for this class. Cameras and other film production equipment are provided.

Studio arts courses are offered in conjunction with Columbia University's School of the Arts.

This course is aimed at developing a series of foundational drawings for a fine arts college-application portfolio.

Students explore various approaches to drawing from both observation and imagination while focusing on conceptually creative assignments. Each session develops the students’ approach to various materials, composition, and personal narratives into completed works that can be used for a final portfolio. Students have prolonged time to study and sketch the human figure from live nude models in class. Ideas are explored through assigned writings and developed in a sketchbook throughout the course.

A visit to a museum or gallery is scheduled as part of the course so as to facilitate discussion of relevant art historical concepts as well as contemporary approaches to drawing.

Lastly, participants learn how to prepare and digitally document works into a final portfolio for college applications.

Some previous experience with drawing is recommended, and the course is designed for students interested in applying to a visual arts undergraduate program in the future. All materials are provided.

Studio arts courses are offered in conjunction with Columbia University's School of the Arts.

This week-long class focuses on preparing the drawing portion of a fine art portfolio application for college submissions. As the week progresses, each student receives an in-depth critique from the instructor of their current work and of their plan for their portfolio. The course is focused on completing several large projects so as to showcase observational drawing skills, ranging from still life to architectural space to self-portraiture, as well as conceptual skills.

The course combines video demonstrations of drawing techniques, individual conferences with the instructor as well as online group critiques, and virtual studio visits with professional artists. Critical issues in art are addressed once a week through group writing prompts and online discussion, so as to generate meaningful debates as a context for studio work. An online demonstration of how to professionally document and edit work in Photoshop for a digital application concludes the week.

Participants are encouraged to contextualize their creative process through language and writing, with assigned creative writing prompts, short presentations, and an ongoing sketchbook practice. A final blog houses a virtual exhibit and work is shared regularly within the community on a social media platform.

Students will need to acquire their own materials, which will cost approximately $100. This course is intended for students ranging from beginners to advanced artists.

Studio arts courses are offered in conjunction with Columbia University's School of the Arts.

In this beginner-level class, students explore various modes of looking at and interpreting the world through drawing. The course emphasizes drawing from both observation and imagination as ways to learn traditional drawing techniques and foster creativity and personal interpretation. Course assignments stress observation while focusing on experiments with materials so as to find creative approaches to visual problem-solving. Assignments include exercises in composition, use of charcoal and pencil, graphic drawing techniques, wet media, color theory, and optical illusions.

The course combines studio work, including the study of the human figure using live nude models, with outdoor drawing, individual and group critiques, and visits to major museums and art galleries. Critical issues in art are addressed once a week in the form of a short seminar, so as to generate meaningful debates as a context for studio work.

Participants also learn how to prepare a final portfolio for college applications, and the session concludes with a group show to which parents, friends, and other program participants are invited.

In this course, students explore fashion with a particular focus on style and culture in New York City and then develop their own designs.

Participants get a first-hand look at the field through discussions with active figures in the fashion industry such as designers, marketing directors, and stylists. They take field trips to locations such as the Fashion Institute of Technology (FIT) and the costume collection at the Metropolitan Museum of Art. Readings on the history, theory, and culture of fashion include works by icons, artists, writers, editors, philosopher, and activists such as Diana Vreeland, Susan Sontag, Oscar Wilde, Bernard Rudofsky, and Marilyn Bender. As a springboard for inspiration and discussion, students view the works of a variety of designers through film clips and videos. Through explorations into fashion as art, students will encounter individuals who live and enact fashion through performative dress, at times challenging social and gender expectations

Having gained a firm grounding in the field, participants research and formulate their own original fashion concepts. Based on these concepts, they design their own unique collections. Concepts may center on a particular motif (e.g., technology as an extension of the human body), period or style (e.g., British monarchy, Imperial China, Ancient Egypt, imagined future, underwater or deep space), or material inspiration (e.g., mylar, fiber optics, recyclables, etc.). While sharing sources of inspiration and research discoveries, with attention to both craft and theory, in addition to producing individual collections, students engage in a collaborative design project.

This intensive course introduces architectural design processes and key concepts in architectural history and theory. Through making and critiques, participants will learn to use architectural drawing techniques and modeling, to develop and communicate design ideas by completing studio-based exercises. Students will also be introduced to significant design work, interrogate important readings, and grapple with relevant discussions in architecture, all with a New York City lens. Coursework will be enhanced by real world exposure to the field, which may include architectural tours, site visits, and experiences with practitioners. By the end of the course, students will look at buildings with a new perspective, have a better understanding of architectural pathways and futures within the discipline, and leave with a design project that can form the basis of a portfolio.

Art appreciation can take many forms. From visiting museums to reading literature to listening to oral histories, absorbing the stories behind pieces provides perspective and insight into creative expression from all over the world. Through this course, students will explore a variety of works and learn how to analyze and discuss their complexities and meanings. Further, students will become acquainted with period pieces in multiple modalities (sculptures, videos, etc.) and discuss thought-providing interpretations from academics, philosophers, and theorists. Additionally, the course will have an experiential component, providing students with the opportunity to physically and virtually view major collections at NYC landmarks like the Frick, MoMA, the Whitney, the Guggenheim, and the Metropolitan. At course completion, students will be able to intelligently converse about art, as well as acquire a sophisticated foundation for further study.

This course introduces students to examine and understand the effects of the physical environment on human experience. The students will learn to see architecture not only as a material and formal practice but also as a social one. How does architecture contribute to community building, social (in)equality, and sustainable consumption of natural resources? The course will emphasize hands-on learning and contemporary architecture of New York City, engaging the city as a living laboratory for learning. In addition to learning through reading, direct observation, and analysis, students also learn to expand their imagination through model-making as a way of thinking with their hands, as well as sketching as a means to observe and analyze buildings.

The class will visit works of architecture in complex urban settings, which may include the Lincoln Center, the Highline, and the Grand Central Station, to look beyond appearance and to study social impacts of architecture. The course is suited for students who may be interested in studying architecture in college, as well as those who want to deepen their understanding of architecture through hands-on experiences.

***Please note this course runs an additional hour in the afternoon to accommodate field trips and model-making. The course will run 9:10am-11am in the morning and 1:10 pm-4pm in the afternoon.

Each moment of a film involves countless decisions: where to place the camera, where to position the actors, choosing how they will dress, should there be music in the background, the relation of a shot to those that precede it and those that follow it, among endless other decisions. Throughout the course, students will focus on these considerations, stepping into the mindset of a filmmaker to learn what techniques they use to convey meaning—and create the sense of a world through film. 

In the first three days of class, an introduction to the major avenues of expression in cinema—cinematography, editing, mise-en-scène, sound and narrative—will be explored. In the final two days of class, students will engage in close, detailed readings of two films that will elucidate not only the filmmakers’ technical choices, but the reasons behind those choices.

Please be aware that some of the films viewed contain violence and mature subject matter. Students should have a willingness to engage thoughtfully with challenging films.

Studio arts courses are offered in conjunction with Columbia University's School of the Arts.

This course is aimed at introducing students to basic oil painting techniques. Participants explore various approaches to painting from observation. Each session focuses on assignments covering concepts such as composition, color theory, the use of materials, creativity, and visual communication in painting. Students work with live nude models and explore diverse approaches to the study of the human figure.

A visit to a museum or gallery is scheduled as part of the course so as to facilitate discussion of relevant art historical concepts as well as contemporary approaches to painting. Participants also learn how to prepare a final portfolio for college applications.

Some experience with drawing is recommended but not required. All materials are provided.

Studio arts courses are offered in conjunction with Columbia University's School of the Arts.

In this course students explore various approaches to painting from observation. They learn oil painting techniques, the basic principles of color theory, and, by working with live nude models, diverse approaches to the study of the human figure. Assignments focus on composition, color theory, the use of materials, and creativity and visual communication in painting.

Studio work is complemented by individual and group critiques as well as lectures and field trips to major New York City museums and galleries. Critical issues in art are addressed once a week in the form of a short seminar, so as to generate meaningful debates as a context for studio work.

Participants also learn how to prepare a final portfolio for college applications, and the session concludes with a group show to which parents, friends, and other program participants are invited.

Some experience with drawing is recommended but not required. All materials are provided.

This course introduces students to the art and analysis of cinema through examination of works by filmmakers ranging from Orson Welles to Martin Scorsese. Readings, screenings, the analysis of clips and full-length movies, as well as hands-on exercises such as storyboarding, blocking, shooting, and editing a scene all combine to convey the excitement and artistry of film.  

Week One: 

Students learn how motion pictures developed their own language—their own, universally understood visual system of representation—by studying the masters of early and contemporary cinema: the edge-of-your-seat last minute rescue scenes of D.W. Griffith; the bravura long takes of Jean Renoir; the nail-biting tension created by Quentin Tarantino; and the nerve-tingling suspense that is the hallmark of Alfred Hitchcock. Using their smartphones, students try their own hand at conceptualizing, blocking, and editing scenes in the continuity style of classic Hollywood cinema.  

Week Two:  

Having learned Hollywood’s tricks of the trade, we branch out into international cinema, where other nations developed different systems of representation—their own languages—that challenged but also inspired the American film industry. Meet the Soviet style of filmmaking that revolutionized cinema in every sense of the word; the Gothic excess of German Expressionism, whose use of lighting, setting, and costume echoes in all contemporary horror flicks; and the samurai swordplay of Akira Kurosawa and its reincarnation in gun-slinging Hollywood Westerns. Each student writes a review of one contemporary American film that owes a debt to foreign cinema—or vice versa.  

Week Three: 

Putting it all together, Week Three culminates in group analyses of some of the masterworks of classical and contemporary cinema such as Citizen Kane, La La Land, and Run, Lola, Run. We examine and discuss the ways in which sound and image, editing, and the elements of mise-en-scène combine to create transporting cinematic experiences that have the ability to make audiences cry, experience fear, feel empathy and joy and, above all, marvel at the magic of movies.  

Assigned readings include film reviews and essays on film analysis, technique, and history. Students are also responsible for an oral presentation on a specific scene, film, or director of their choice. 

Please be aware that some of the films viewed contain violence and mature subject matter. Students should have a willingness to engage thoughtfully with challenging films.

Making urban areas livable, sustainable, and desirable is a top priority for governmental bodies, economists, business leaders, realtors, and many other key stakeholders. Shaping the way our society operates is a big job, and it’s why urban planning is such a sought-after career. Becoming an urban planner requires a combination of sophisticated skills that includes architecture, engineering, and design. Through this course, students will explore the fundamentals of urban planning, learn how to build effective communities, and discuss the best practices of working with land (including infrastructure, water, and air) to design healthy, happy, and in-demand habitats. Additionally, students will explore how transportation, business districts, and environmental concerns impact development. By the end of the course, students will have an acumen for discussing history, theory, and pressing social issues that impact both real estate and residents’ quality of life. Note: This class will focus on this topic from a United States perspective. 

This practical course equips students with the skills necessary to realize their entrepreneurial visions. Students will learn about the entrepreneurial process, from the preliminary stages of research, to the legalities of setting up, as well as financials and marketing. Students will be introduced to the different types of enterprises, for profit and nonprofit, as well as social entrepreneurship. Through real examples, the course takes a closer look at common pitfalls, and stories of successes within the business world. 

Class time is divided between interactive lecture and guided hands-on work. Students will be expected to develop a business idea over the duration of the course, culminating in a final presentation and the submission of a business plan proposal. 

Participants are required to bring laptops for this class and should have an entrepreneurial idea in mind that they would like to develop during the duration of the course.

This course is designed for students who have an interest in the future of finance, technology, blockchain, cryptocurrency, artificial intelligence, and work. Beginning with an exploration of Fintech (financial technology), we explore technology’s impact on everything from banking to real estate to Wall Street. Additionally, we look at how artificial intelligence (AI) will automate and reduce the need for human workers, as AI, Fintech, and other technologies are combined to automate many tasks.

After gaining a solid understanding of the real-world use cases of Fintech and the everyday ways it impacts the economy, social justice, and our lives, students take a journey of discovery into the world of AI, the Internet of Things (IoT), blockchain, Bitcoin, and cryptocurrency. Since Bitcoin’s launch in 2009, cryptocurrency and decentralized ledger technology, aka blockchain, have emerged as an economic force majeure, disrupting the fundamentals of how people interact and how they perceive money. In addition to pushing the evolution of money, blockchain technology is now poised to disrupt how we organize businesses and the future of work. Course participants explore the organizational impacts and transformations caused by blockchain and cryptocurrencies and examine what this will mean to them as future CEOs and global business and thought leaders.

The course concludes by exploring the perspective of entrepreneurs and innovators, further examining how technologies come together to form the businesses, disruptions, and methodologies of the 21st Century. Participants walk away with a fundamental understanding of what tokens and cryptocurrencies are; how businesses leverage blockchain technology, AI, and other Fintech applications; and how digital transformation impacts social interactions and the future of work.

Please note: This course is not a computer programming course and requires no prior knowledge or experience, but rather looks at these emerging technologies more broadly from business, social, political, and cultural perspectives.

Do you want to make a difference in the world? Social entrepreneurship bridges passion and action, where business principles meet social impact to address today’s most urgent challenges. Can economic growth align with sustainability? How can social entrepreneurs find solutions to climate resilience or help communities in need? In this course, you will dive into these questions, exploring the dynamic balance between fiscal responsibility and social equity in an ever-changing global landscape.

Through a hands-on journey into social entrepreneurship, you will explore key frameworks for turning challenges into opportunities, learning how to design solutions that benefit shareholders and stakeholders to deliver a “triple bottom line”—people, planet, and profit. Through collaborative projects, lively debates, and case studies, you’ll analyze real-world issues and develop strategic approaches that make a lasting impact. 

This course provides students with strategies and tools to elevate the efficacy of social innovations by integrating insights from behavioral science research and practice. Through readings and hands-on innovation projects, participants will gain skills to deeply understand user psychology, frame opportunities focused on specific behavior changes, develop interventions using evidence-based techniques, rapidly prototype concepts, and rigorously evaluate impact on behaviors. 

The sessions cover opportunity framing, customer discovery, creative ideation, prototyping, and experimentation. Students will learn how applying behavioral economics, psychology, and cognitive science can enhance the innovation process and drive positive social change.

Intended for students interested in creating new business or social enterprises, this hands-on course focuses on the creation, evaluation, development, and launch-readiness of new business or social ventures. Participants are guided through the new venture creation process as applied to student team-selected venture ideas. Through interactive lectures, short case studies, and structured peer activities, students explore the elements of the new venture planning process in an innovative modular format.

For each student venture, key issues are addressed in a fashion highly consistent with other formal venture-planning processes including: business model development, customer discovery, product-market validation, in-depth industry and market analysis, product or service innovation, brand development and go-to-market strategies, team selection and management, profit models, financing, and legal considerations.

Students work through a series of structured activities and assignments that correspond with each phase of new venture planning. Throughout the class they refine their venture’s hypothesized business model on the basis of instructor and peer feedback. At each stage of venture plan development, they learn critical terms, apply tools that support research and decision making, and develop a deep understanding of how each major planning activity fits into formal venture creation. Additionally, they hone critical professional skills including creative problem-solving, communication and negotiation, project management, financial analysis, and collaborative leadership. By the end of the class, participants have generated robust business models, with supportive venture plan documents, investor pitches, websites, and crowd-funding videos. 

This intensive course takes an applied, practical approach to the development, testing, and validation of customer or community-driven product solutions. By learning and applying contemporary design-thinking concepts and tools, students generate innovative solutions to important customer or community problems. During the program, students identify and define a major problem to be solved, work with real customers to better understand the problem from their perspective, generate multiple solutions, then choose a solution to test with real customers. Students acquire practical knowledge and tools focusing on the development, testing, and validation of new products that solve real customer problems and needs, from idea to early product development.

Students can expect to learn how to:

• identify and articulate customer problems in an accurate way, reflecting how individuals truly experience the problem and its challenges
• create effective customer surveys to help validate your assumptions on customer problems (pain points), solutions, and benefits (expected outcomes)
• assess current solutions provided in the marketplace in order to build on best practices as well as identify gap areas
• develop a minimal viable product in order to gain additional feedback on specific solution features
• measure and validate customer needs fulfillment or social impact assumptions
• develop a solution (business or social enterprise) model to test your assumptions about customer interests, acceptance, and use

In-Person participants are expected to bring laptops for this class.

Game theory is the science of strategy. Within this ever-evolving field, practitioners are responsible for working through economic concepts that depend on rationality, as well as choice and uncertainty. Specifically, those working in this field help with optimal decision making between an independent agent and competing actors. The result of this work can take many forms, including when (and if) to launch a product and how to price it, or when to be cooperative in a negotiation (or not), or even whether to confess to a crime (or not). Throughout the course, students will study the works of key pioneers in Game Theory, as well as synthesize and triangulate readings to topics in economics, business, political science, and project management. Students will be expected to apply learnings to solve complex probability sets and analyze decision-maker payoffs. By the end of the course, students will have a new appreciation for how Game Theory directly impacts - and influences - major decisions. Additionally, they will be able to work through choices and outcomes better in their own lives. 

What is the impact of the resurgence of populism, nativism, and geopolitical competition on foreign relations and economic growth? Is China’s push to turn the renminbi into a global currency a threat or an opportunity? What are the implications of an unsustainable levels of public debt (U.S., Europe, Latin America, and Asia) on the future of international monetary and financial architecture? Given questions such as these, this course examines the interplay between globalizing pressures and national interests.

Working from a multilateral perspective, students use case studies to examine the nature of relations between nation-states in a period of increased economic and political integration. Topics include theories of international political economy in relation to foreign aid and sovereign debt, international trade and capital flows, security and non-state actors, rights-based approaches to development and humanitarian emergencies, energy sustainability, and the role of international organizations and financial institutions.

For counterpoint, students also examine the political, ideological, and social determinants of domestic political economies, including that of the United States. The political mechanisms of economic policy-making and the relationship between domestic policy and foreign policy are explored using theoretical, historical, and topical cases; examples include the political economy of income distribution and social welfare, national defense and hegemony, the national debt, and globalization.

Students examine these and other topics through lecture, research, academic and policy dialogue, group projects and presentations, peer critiques, and guest speakers. For students enrolled in the in person program, the course typically includes a visit to the United Nations Headquarters.

This course focuses on the firm’s financial and economic behavior. The firm needs cash to undertake worthy investments, and the firm needs to identify investments worth undertaking. What models does the firm use to identify such investments? What sources of cash can the firm use? How do the financial markets in which this money is raised function? How does the market value the firm, its securities, and its investments? What financial instruments are available to the firm? What are the microeconomic models that best describe a firm’s behavior in such markets?

In answering these questions, the participants discuss stocks, bonds, stock markets, as well as valuation models of investments, firms, and securities. They also work with concepts like optimal investment strategies, what is revealed and what is hidden in published accounting statements, and what are some of the sources of risk. Students also acquire familiarity with the mechanics and history of the financial markets.

The course includes case studies and some sustained independent work by the participants.

Laptops, while not required, are highly recommended for In-Person participants. 

This introductory-level course is intended for students who have an interest in learning more about how corporations make business decisions and fund those decisions. The course provides a brief introduction to the fundamentals of finance, emphasizing their application to a wide variety of real-world situations in corporate decision-making and financial intermediation. Key concepts and applications include the time value of money, risk-return tradeoff, cost of capital, interest rates, discounted cash flow (DCF) analysis, net present value, internal rate of return, hurdle rate, and payback period. Students will leave with an understanding of both sound theoretical principles of finance and practical tools of financial decision-making.

Participants learn the principles of finance and investment management, to include interest rates and compound interest, the time value of money, risk and reward, how stocks and bonds are valued, how the stock market functions, how the international financial market functions, and how to approach stock selection and portfolio management.

We explore the structure of the financial system, to include the role of individual participants, investment banks, asset managers, the Central Bank, and other players in the global economy. The course connects foundations of economics to financial markets. What is the role of risk in investment? How does the environment of the market and the broader world drive return on investments? Why have some investments done well in memorable history? Why have others not done well? How are the winners and losers of past investments explained by financial theory? What is the role of traditional investments, such as mutual funds, and of alternative investments, such as venture capital, private equity and hedge funds?

Students generate their own investment strategies and portfolios. As this is a quantitative course, should be comfortable with math and prepared for a challenging experience.

Looking at stocks, bonds, ETFs, cryptocurrency, real estate, futures, and options, this course introduces students to how professional investment managers construct investment portfolios. We look at these different investment opportunities as well as key valuation and risk management techniques. How might investors benefit from diversification? What are the metrics for measuring performance?  What are the common pitfalls made by investors? 

Class time is divided between interactive lecture and guided hands-on work. Participants assume the role of professional money managers as they operate their own diversified investment portfolios in a session-long simulation game. Common theories and practices presented in class, news of current and world events, and discussion around decisions made by the world’s foremost investors are incorporated as students develop a sense of how real-time managers make decisions.

Participants are required to bring laptops for this class and, as this is a quantitative course, should be comfortable with math and prepared for a challenging experience.

What drives a country’s economy? How do we measure a nation’s wealth, and why does unemployment matter? In this fast-paced introductory course, you'll get the answers to these big questions while diving into the world of macroeconomics. Designed for students curious about the forces that shape economies, this course covers everything from economic growth to inflation, and how these concepts affect our daily lives.

Throughout the course, we’ll explore how economic output is measured (hello, GDP!), the causes of inflation and deflation, and how policies can affect everything from interest rates to international trade. Ever wondered why governments raise taxes or how central banks control money supply? You’ll get the inside scoop on fiscal and monetary policies, and discover how events like the 2008 financial crisis or global trade wars ripple across the economy. By the end of the course, you'll be able to explain the basics of economic growth, unemployment, and investment, and how these principles connect to real-world problems like income inequality and financial crises. Ready to understand how the world works on a macro scale? Together we’ll take a whirlwind tour of the economy—big picture style!

By the end of the course, students will have a solid foundation in macroeconomic theory and be able to apply their knowledge to analyze real-world economic situations, preparing them for further studies in economics or related fields.

How has the US–China trade war affected the growth of world economies? Why has Latin America, a region rich in natural resources, not been able to attain economic growth levels similar to those in Asia? What implications does a potential global water crisis pose to how nations interact with one another? How has the mix of traditional and renewable energy sources made an impact on the United States? Is it unethical to apply economic principles to natural resources?

This course examines these type of questions as it dives into the fundamentals of natural resources, their pivotal role in the development of OECD (Organization of Economic Co-operation and Development) and non-OECD economies, and the monetization impact from Wall Street to the end consumer on Main Street.

Through case study analyses of current events, students develop an understanding of global reserves and yields of natural resources, identify world consumers and producers – i.e. export (supply/origin) and import (demand/destination) hubs – along with transportation channels, and conduct deep dive analyses in group settings on the financial life of these resources and their contribution to the pace of global growth.

Complementary to these topics, participants debate the basis for responsible business procurement of natural resources – including those that are sustainable – and their effect in the global landscape.

Students gain an understanding of – and think critically about – various natural resources (agricultural, energy, mineral, and livestock) and the key challenges of international trade in an interconnected world. They also learn about the social impact of exploration and production of these raw materials. Topics explored include the relevance of geopolitical analysis, how shipping markets and freight rates/chartering are crucial to world trade, and the growing presence of private capital in shoring up global imbalances.

In this course, you'll explore how statistics plays a crucial role in the world of finance. From understanding how financial markets work to learning how to manage risk and make predictions, this course introduces you to the tools that finance professionals use every day. Whether you're interested in stocks, investment strategies, or risk management, you'll gain a solid foundation in how to analyze financial data and make informed decisions using statistical methods.

Throughout the course, you'll work with real-world financial data, apply statistical techniques like probability and regression, and explore the basics of portfolio management and/or market trends. You’ll also participate in group projects, stock market simulations, and case studies that help bring the theory to life. By the end of the course, you'll not only understand how statistics and finance are connected, but you’ll also have the skills to analyze financial information and even predict future trends. Whether you're considering a career in finance, economics, or data science, this course will give you a head start and a deeper understanding of the power of numbers in the business world.

While membership in American labor unions has been on the decline for decades, recent years have seen a resurgence of worker organizing across the United States. Almost every week brings new headlines about strikes or campaigns to form new unions in a variety of different industries, from auto manufacturing to healthcare to TV and movie production. This course will examine the subject of labor relations through the lens of economics by introducing some of the key tools that economists use to study interactions between workers and firms in the labor market. A major focus will be the role that collective bargaining can play in shaping the terms and conditions of employment, such as wages, benefits, and workplace health and safety protections.
 
Students will learn to define fundamental concepts in labor economics and labor-management relations, interpret theoretical models, and identify patterns in real-world data on labor market institutions and outcomes with the help of empirical methods. Class activities and exercises will offer hands-on perspectives on the subject matter, and will include an opportunity for students to practice negotiating their own collective bargaining agreement. Those who complete the course will come away with a greater understanding of how economists use theory and data to gain insight into the workings of the labor market and how unions function in the modern economy.

Goldman Sachs, Morgan Stanley, and other leading investment firms have predicted that the space economy will be worth trillions of dollars within the next few decades. In this course we explore a number of key issues having to do with the space industry and the emerging space economy with the intention of preparing participants to be leaders in those fields.

Potential topics to be covered include:

• How private businesses are changing the new space race
• Why space commercialization will lead to a Fifth Industrial Revolution
• What old and new financial models are enabling the growth of space technology
• The role of NASA, the Space Force, NOAA, and other government agencies
• Should we be investing in space when there are so many challenges facing humanity on Earth?
• How do businesses profit from working within the space economy?
• What does the work of SpaceX, Blue Origin, and Virgin tell us about opportunities in Low Earth Orbit (LEO), the moon, and Mars?
• What steps a business must go through to be part of the new space race
• How new private and national programs will add to the complexity and vibrancy of the economy
• What is the role of space in human rights?
• How does the improvement of communities in space lead to social and technology improvements?
• What environmental problems can be solved using space technology?
• What is the role of traditional financial institutions such as banks and mutual funds, and how does that compare to the role of family private offices, VCs, and hedge funds in disruptive industries like the space economy?

The course draws on fundamental concepts in business, economics, and finance and applies new concepts from ESG (environmental, social, and governance) investing, risk management, and social impact measurements. Participants gain a foundational understanding of business development, the importance of intellectual property, and the value of community building as part of any business strategy - how solving for space is really about solving for problems on Earth. Guest speakers represent the private sector as well as groups such as NASA, the Space Force, and international space organizations.

Students leave with the tools to place an economic lens on the business, technology, and financing of spaceports, the aerospace industry, space adjacent technology, and the space economy as a whole. From launch, to satellites, to private stations, to manufacturing in LEO, to the permanent human settlement of the moon, via the Artemis program, this course gives students insights into the future they will help build and lead.

As the final project for the course, participants generate their own investment strategies and portfolios.

Curious about how knowledge is created – and ready to create your own? Whether you’re passionate about psychology, politics, tech, environmental studies, education, or something entirely different, this course invites you into the world of academic research! You’ll go behind the scenes of how researchers ask big questions, gather and analyze data, and build new understanding across various fields of study. As such, this course includes two complementary approaches: 1) an overview of research principles and fundamental research methods and 2) student led research projects. 

Using “case study” published research reports as a backdrop, you will be introduced to foundational research principles, concepts, techniques, and their application across various disciplines. We’ll review methods for carrying out eMective research and prepare to produce robust college level social science research utilizing various research methodologies. A broad range of research models, including the scientific method, research design, and data collection techniques, will be explored. We will discuss the selection process for conducting quantitative, qualitative, empirical, and hybrid analyses as well as explore their use across various disciplines. In short, we will review:

1. The use of mixed methods and triangulation of information to balance strengths and weaknesses.
2. Procedures for material data collection and sampling.
3. Common data analysis methods and tools.
4. Techniques for analyzing quantitative and qualitative data.
5. Considerations for determining implications and research limitations.

We will learn while being mindful of the ethical, moral, and philosophical considerations intertwined with: academic research; the possible open access to the findings; and the derived research-based applications.

By the end of this course, you will also work in groups to design and develop a research project (ready for publication), that you select based on your interests.

So if you’re excited by discovery, problem solving, and making an impact with your ideas, this course will give you the tools to do just that!

The Columbia Writing Academy is designed for those who want to use the power of writing to develop their own personal voice and style. Through a combination of workshops and tutorials, students will learn new writing techniques and develop the skills and confidence to write a powerful college admissions essay. As many colleges place less emphasis on standardized test scores, the admissions essay has taken a larger role in the application process. In this course, students will explore each stage in the essay writing process—brainstorming, drafting, revising—and will receive in-depth feedback from the teaching team throughout the process.

The College Admissions Essay, often called a personal statement, is an opportunity for students to stand out and set themselves apart from other applicants by saying “here’s something about me that you might not know from my grades; here’s my story; here’s what matters to me.” By the end of the two-week course, students will have written an essay that personalizes their college application, captivates readers, and shows colleges why they should accept them. The Workshop will be a lively, stimulating two-week online course that requires six to eight hours of work each week, including reading, writing, participating in three weekly synchronous sessions via Zoom.

Please note that this course follows an atypical schedule: Monday, Tuesday & Thursday evenings from 7:00 to 8:15 p.m. ET.

Throughout our lives, in every role we play, persuasion plays a critical part. In the fields of sales and marketing, the connection is obvious, but when we apply to schools and interview for jobs our ability to frame our capabilities comes into play. The work of trial lawyers may clearly require the ability to influence judges and juries, but teachers, engineers, managers – people in every line of work – at some point need to convince others of a different way of thinking. Even in our personal lives, there are times when we want to change others’ minds.

In this course, students will – through reading, lecture, discussion, exercises, and activities -- learn the art, science and practical techniques used by the most successful marketers and salespeople. Over the course of the term, we will cover broad themes that inform all communication (e.g., motivators, language, storytelling, etc.), as well as best practices specific to each approach (written communication, phone, meetings, speeches, et al).

In this course, students learn how to write effectively about complex topics. They learn to use writing not only as a tool for expressing themselves clearly, but also as a way to refine and advance their thinking. They write and revise formal essays in which they analyze college-level texts, and, time permitting, compose personal essays about their own experiences.

Participants identify the strengths and weaknesses in their writing and improve their skills through individual and group work, class discussion, multiple revisions, in-class exercises, and homework. They learn how to formulate a clear and original thesis, identify and explain supporting evidence, organize an essay, and use language that is lucid and precise. We review essential points of grammar and style, paying special attention to common mistakes, and we read and analyze works that exemplify good writing.

By the end of the week, students will have become not only better writers but also more insightful and sophisticated readers and thinkers.

While some leaders are born, most are made. Becoming a great leader takes both training and practice, and today’s most effective leaders are forever honing their skills. The Pre-College Leadership Lab is a unique and meaningful experience for any future leader. Students will begin the highly experiential course by immersing themselves in leadership theory, and identifying their own leadership styles. Applied practice of new-found knowledge will include public speaking, role play activities, team building, and conflict resolution. Additionally, the lab will feature guest speakers from various leadership areas, who will discuss both their challenges and successes. By the end of the course, students will be prepared to articulate their leadership goals, and have an actionable plan to grow and develop into future leaders who will positively impact the world.

This workshop is geared toward students who have an interest in creative writing and would like to develop their skills and writing practice across genres. Students read and write free verse poetry, short prose, drama, fiction, and creative nonfiction with the goal of developing a final portfolio of revised work.

Students are introduced to a range of technical and imaginative concerns through creative exercises and discussions, and exposed to all aspects of the writing process, including generating ideas, writing and revising drafts, and editing. Participants practice their literary craft with an attentive group of peers, under the guidance of an experienced instructor. They write extensively, read and respond to excerpts from outstanding works of literature, and participate in candid, helpful critiques of their own work and that of peers. Students are expected to come to the class with an openness to various approaches toward literature and writing. Classes are supplemented by conferences with the instructor.

How does one write characters who are convincingly deceptive? Is writing fiction an act of deception in itself? In this course, we will explore the various shades of lying in literature, investigate why characters who lie are often more interesting than those who don’t, and identify the nuanced, precarious relationship between lying and fiction, parsing the difference between lies intended to deceive versus fictions crafted to articulate an emotional truth. 

Starting our journey with The Odyssey by Homer and moving through texts like The Turn of the Screw by Henry James, Passing by Nella Larsen, and The Talented Mr. Ripley by Patricia Highsmith, we will trace the tradition of portraying not only deceptive characters but also the rich emotional charge between the liar and deceived, as well as the change in self-perception and worldview that occurs when one recognizes oneself as someone who can be manipulated. 

Through close readings, class discussions, and writing exercises, students will learn to craft complex characters whose lies shape their identities and relationships. We will explore how deception can serve as a narrative tool to create tension, develop plot, and reveal hidden truths about both the characters and the world they inhabit. Ultimately, this course will offer a deeper understanding of how the art of lying in literature mirrors the human experience, challenging our assumptions about truth, trust, and the boundaries between fiction and reality.

This workshop is geared toward students who have experience in creative writing or who demonstrate unusual talent. Students read and write fiction in all its forms with the goal of developing a final portfolio of work.

Students are introduced to a range of technical and imaginative concerns through creative exercises and discussions, and exposed to all aspects of the writing process, including generating ideas, writing and revising drafts, and editing. Participants practice their literary craft with an attentive group of their peers, under the guidance of an experienced instructor. They write extensively, read and respond to excerpts from outstanding works of literature, and participate in candid, helpful critiques of their own work and that of peers. Students are expected to come to the class with an openness to various approaches toward literature and writing. Classes are supplemented by conferences with the instructor.

This course explores the mindsets and habits that ​have shape​d successful writer​s past and present. Through inspiring reading assignments, practical exercises, and in-depth discussions, students will learn how to cultivate creativity, overcome self-doubt, and develop a critical eye for structure, voice, and narrative across a variety of genres. Students will learn how great writing is made and​ learn the proper tools needed for a rewarding creative life. The course will culminate in a final project consisting of an artist’s statement and selection of polished creative pieces. 

Parallel universes and the supernatural have the power to reveal truths often hidden behind the veil of modern life. Situating oneself in realities other than one’s own imparts lessons in empathy, possibility, and advancement in our real world. From Dune to The Hunger Games, both beloved and feared characters in such fiction have united legions of readers-turned-writers over many continents and generations through the art of world-building. 

The course’s aim is to explore and create immersive, exciting fiction that incorporates the unreal—from surreal short stories to excerpts from epic fantasy novels. In this one-week intensive, students will think and write about the futuristic, uncanny, magical, and speculative, and how these elements mesh with our individual writing goals. 

Students will analyze published works of Science Fiction and Fantasy from a writer’s standpoint, considering: what effect did this have on the reader, and how did the writer create this effect? What draws us to these genres? How can we create work that is compelling, original, artful, and fun? Through discussion and writing exercises, we’ll focus on topics including world-building, hero/villain relationships, plot, magic, and suspense. 

In this course, students will uncover the power of imaginative fiction by reading selections of cornerstone texts in the genre, both past and present, and use the techniques discussed in the pieces to write their own original works. Classes are supplemented by conferences with the instructor.

Parallel universes and the supernatural have the power to reveal truths often hidden behind the veil of modern life. Situating oneself in realities other than one’s own imparts lessons in empathy, possibility, and advancement in our real world. From Dune to IT to The Hunger Games, both beloved and feared characters in such fiction have united legions of readers-turned-writers over many continents and generations through the art of world-building. 

The course’s aim is to explore and create immersive, exciting fiction that incorporates the unreal—from surreal, ghostly short stories to detailed epic fantasy novels. In this three-week dual seminar-workshop, students will think and write about the futuristic, uncanny, magical, and speculative, and how these elements mesh with our individual writing goals. 

Students will analyze published works of Science Fiction, Fantasy, and Horror from a writer’s standpoint, considering: what effect did this have on the reader, and how did the writer create this effect? What draws us to these genres? How can we create work that is compelling, original, artful, and fun? Through discussion and writing exercises, we’ll focus on topics including world-building, hero/villain relationships, plot, magic, and suspense. 

In this course, students will uncover the power of imaginative fiction by reading selections of cornerstone texts in the genre, both past and present, and use the techniques discussed in the pieces to write their own original works.

This course is designed for advanced students who seek intensive experience in writing and performing comedy. With the guidance of professional New York City performers and writers, they learn how to generate writing through improvisational comedy. Budding comedians and comedy writers learn how to make people laugh both on and off the page, a skill that can take practitioners down a variety of career paths on stage and in film and television. 

Participants hone their comedic sensibilities with a wide variety of exercises and readings and build confidence by learning the art of “Yes, and…” Subject areas include sketch comedy, improvisational comedy, and stand-up. 

This course is designed for advanced students who seek an intensive experience in the writing of fiction. Students explore diverse styles of and approaches to fiction, and learn essential skills for writing their own short prose works, including stories, flash fiction, novellas, and pieces that may be developed, following the session, into novels. Students participate in rigorous daily discussions on craft and workshops, as well as one-on-one conferences with their instructor. 

The course culminates in a final portfolio composed of carefully revised pieces that implement instructor and peer feedback.

This rigorous one-week course is designed to teach students the ins and outs of novel writing, from conception to outlining, to the writing itself. Whether interests lie in literary fiction, young adult, fantasy, or any other genre, students will learn we focus on how to structure and plot a successful novel. Areas of exploration include establishing conflict, world-building, character work, pacing, and how to create an effective scene.

Students share their writing in a workshop setting and receive in-depth feedback from both their peers and the instructor. The course includes asynchronous work, which students are expected to complete between class sessions. Not only does this course impart a greater understanding of what it means to craft a long-form work of fiction, but it will also help students become stronger and more confident in their overall writing skills.

In this intensive course, students are introduced to the key tenets of writing and performing comedy. With the guidance of professional New York City performers and writers, they learn how to generate writing through improvisational comedy. Budding comedians and comedy writers learn how to make people laugh both on and off the page, a skill that can take practitioners down a variety of career paths on stage and in film and television. 

Participants hone their comedic sensibilities with a wide variety of exercises and readings and build confidence by learning the art of “Yes, and…” Areas of exploration include sketch comedy, improvisational comedy, and stand-up. 

This rigorous one-week course is designed to teach students the essential techniques of short story writing by contextualizing the form throughout history—from Edgar Allan Poe to James Baldwin, to contemporary practitioners, including Joy Williams and Jhumpa Lahiri. By encountering the work of renowned authors from a writer’s perspective, students will utilize the 5 key elements of the short story—plot, character, setting, conflict, and theme—to arrive at what is finally a common goal: to make readers feel through original, compelling, and climactic prose. 

Students will share their writing in a workshop setting and receive in-depth feedback from both their peers and the instructor. The course includes asynchronous work, which students are expected to complete between class sessions. Not only does this course impart a greater understanding of what it means to write short stories, but it will also help students become stronger writers through the use of economized and well-crafted language.

This foundational course, adapted from Columbia's MFA in Writing program, serves as a generative exploration of the creative writing process. Students receive instruction in key genres, idea generation, creation and development of drafts, and basic revision and editing skills. 

Through frequent and diverse readings and writing exercises, students hone elements of craft through the development of voice, imagery, characterization, dialogue, rhythm, and narration. Students work in poetry, prose, fiction, and creative nonfiction. Works produced by acclaimed writers, as well as by students in the class, form the basis of discussion in the workshop process.

A range of technical and imaginative concerns will be introduced through exercises and discussions, where students will produce their own writing for the critical analysis of the class. Students will begin to develop the critical skills that will allow them to read like writers and understand, on a technical level, how accomplished creative writing is produced.

What makes a personal essay feel so much bigger than the individual? What is the difference between writing that is merely confessional and writing that captivates, questions, and transforms? How do we tell compelling true stories about ourselves while probing the limits of our knowledge, the gaps in our memories, the stories that we don’t yet know how to tell? Writing a personal essay is not only a process of self-discovery—it is also the work of becoming the person capable of writing the essay.

In this course, we learn to write true stories about ourselves, the cultural artifacts and places we care about, the identities we hold in relation to power, and the ways our experiences change us forever. With the goal of producing up to three compelling personal essays, we explore the process of personal writing, from generating ideas to revising drafts. To become captivating narrators, we practice drafting skills essential to all nonfiction writing, drawing from reporting, research, and our personal archives—be it text messages, photos, or journals—to enhance the emotional specificity and intellectual rigor of our personal narratives.

Part seminar and part workshop, this course introduces students to the genre of personal nonfiction and the practice of critiquing writing as a group. Through close examination of their own experiences and engagement with model texts, students develop storytelling skills that will transfer to their future writing in any genre.

Dive into the world of contemporary songwriting, poetry, and prose through the lens of one of the most influential musicians of our time—Taylor Swift. The Taylor Swift Effect explores the intersection of pop music, literary craft, and personal storytelling, unpacking how Swift’s lyrics have evolved from country-inspired ballads to complex, poetic narratives that resonate with millions.

Whether you are a longtime Swiftie or a newcomer to her music, this course invites you to explore the power of words in both pop culture and literature, uncovering the ​craft elements at play behind one of the most successful and innovative songwriters of the 21st century. ​Students will also learn the literary heavyweights that have inspired Swift's artistry, from Shakespeare to Patti Smith. ​This course is perfect for ​students interested in creative writing and pop culture studies. 

What creative possibilities do true stories hold? How can truth-telling and storytelling work together? How can we turn ourselves—and other real people—into compelling characters? This class considers the possibilities of creative nonfiction. We will explore sub-genres ranging from magazine writing to memoir and personal essays; from science writing and profiles to humor, food writing, and lyric essays. 

In this rigorous one-week course, students will learn research and reporting skills essential to all forms of nonfiction writing, as well as how to incorporate techniques traditionally associated with fiction writing into nonfiction. We will engage with a range of nonfiction prose and use workshops to develop skills as editors and writers.

Students will share their writing in a workshop setting and receive thoughtful, in-depth feedback, culminating in a carefully revised portfolio of nonfiction works.

This course introduces students to some of the most long-standing, fundamental issues in moral philosophy. We will broach these issues by addressing such challenging questions as: “What makes someone a virtuous person?” “Is the moral rightness or wrongness of an action determined solely by what people believe is the morally right or wrong thing to do, and if not, what is it determined by?” “Are there some things that are valuable but not because they lead to other things that are valuable?” “Can we possess knowledge of moral truths, and if so, how are we able to possess such knowledge?” And “what moral obligations, if any, do we have to non-human animals?” We will address these questions and others by critically engaging with how a number of ethicists from a wide range of traditions have answered them. In doing so, we will see how moral philosophy intersects in interesting ways with other areas of philosophy (e.g., epistemology, metaphysics, and philosophy of religion). 

Students enrolled in this course will not only learn about fundamental issues in ethics, but also about some of the most important methods, conventions, and concepts in philosophy. The broad objective of this course is to develop and refine our critical reasoning and writing skills. 

In this course we explore modern literature from early pioneers such as Dostoevsky, Dickinson, and Rimbaud through to the full-fledged modernism of Kafka, Woolf, and Hemingway, and beyond to the Harlem Renaissance, the Beats, and magical realism. We focus mainly on short fiction and poetry but may also look at excerpts from some longer works.

We consider not only the meanings of the works but also what it is about how they are written and constructed that gives them their power. While our approach is grounded in close reading and formal analysis, we also consider historical context and pay attention to how literature sounds and makes us feel.

Modern literature has had close ties to trends in visual art, music, theater, and film and so we may look at works from these other art forms and how they reflect back on written texts. The course also includes a field trip to the Museum of Modern Art.

Course participants are expected to contribute actively to class discussion, write a number of informal reaction pieces, engage in a few short creative projects, and deliver oral presentations on works of their own choosing.

Students learn how to read actively, think analytically, present their ideas effectively (both orally and in written form), and collaborate with their peers—all skills that will be invaluable to them in college and in their personal and professional lives. They also gain an understanding of and appreciation for modern literature.

No previous knowledge or course work is required.

This course is designed for students who want to engage in lively debate on a philosopher's ideas, closely read primary texts, and investigate how philosophical concepts are present in our experiences today. In the process of delving into key philosophical texts about love, human excellence, and existential freedom, course participants are familiarized with the basic methodology of philosophical enquiry.

We begin by reading and discussing Plato's Symposium and Aristotle's Nicomachean Ethics, their respective treatises on love and moral character (virtue ethics). Students debate questions related to the dialogue on love that Plato develops through the voice and character of Socrates. What is love and what does it mean to be a lover of wisdom—a philosopher? In the Ethics, students discuss the topic of human excellence and seek to answer how humans should best live their lives. In a practical sense, what is the purpose of human life and what is the ultimate goal of human endeavor? Why does Aristotle consider friendship a virtue, an excellence one must pursue if one wants a good life, Eudaemonia?  

Having established the classical foundations, we move into the 20th Century and begin a dialogue and exploration of ideas on existential freedom, choice, and responsibility. We begin with readings to explore the ideas of determinism and indeterminism associated with various philosophies of freedom. Specifically, we focus on the foundational works of Jean-Paul Sartre’s concept of existential freedom found in Being and Nothingness and Soren Kierkegaard’s religious freedom from Fear and Trembling, which Donald Palmer introduces in Does the Center Hold? An Introduction to Western Philosophy. This introduction serves as the foundation students need in order to grasp the idea of existential freedom articulated in the essays that make up Albert Camus' seminal work The Myth of Sisyphus. Through this lens students will debate whether it is practical to attempt to live an existential life and how philosophers as diverse as Nietzsche, Camus, and Sartre would define that life.

In addition to the readings, participants will have an opportunity to critique film and other art forms that present interpretations of existential themes. 

How is the mind related to the brain? Are sensations, beliefs, and desires immaterial or physical states? What are the different types of consciousness and how, if at all, are they related? How do we know that beings besides ourselves possess mentality? Can robots possess minds?

We explore these questions via a philosophical analysis of a number of attempts to explain the nature of the mind and mentality. The course begins with dualist attempts to characterize the mind as a non-physical soul that possesses immaterial mental states such as beliefs and hopes, and proceeds to an investigation of recent efforts to understand the mind and mentality as physical phenomena. Some historically influential answers to the question what is a mind and what is mentality? are critically assessed, including (i) substance dualism, (ii) mind-brain identity theory, and (iii) functionalism. In the latter part of the course, issues such as the nature of consciousness as well as how to make sense of the causal efficacy of mentality are discussed.

Course readings include such influential works as René Descartes’s Meditations on First Philosophy, J.J.C. Smart's "Sensations and Brain Processes,” Hilary Putnam’s “The Nature of Mental States,” and Thomas Nagel’s “What is it Like to be a Bat?” Course activities include class debates, group presentations, the designing of thought experiments, critical writing exercises, and close textual analysis.

The broad goal of the course is to sharpen students’ analytical reading and writing skills, while the more specific objectives are to give them a solid understanding of issues in the philosophy of mind as well as an understanding of the methods of philosophy.

This course introduces students to fundamental issues in the theory of knowledge. In this course we will critically address questions such as: (a) "What are the unique kinds of knowledge and what is the relationship between these kinds of knowledge?” (b)"Does knowledge require justification and if so, what does such justification consist in?” and (c) “What propositions can we know in light of powerful skeptical arguments?” We will investigate such questions by looking closely at how a number of epistemologists from a wide range of traditions have answered them. As we progress through issues directly related to epistemology, we will also see that these issues connect up with important issues in other areas of philosophy as well (e.g., metaphysics and moral philosophy).

We engage with such challenging questions by critically reading and writing about them, and in doing so we fine-tune our own positions concerning these issues. The broad objective of the course is to develop and refine students' critical reasoning and writing skills.

Other learning objectives include:

• To acquire a richer understanding of and facility with the methodology that philosophers use to answer fundamental questions.
• To develop an understanding of how issues concerning epistemology are of relevance to not only other areas of philosophy, but disciplines besides philosophy as well.
• To accurately interpret a wide range of historically influential philosophers’ works on fundamental issues in epistemology, and in doing so sharpen our exegetical skills.
• To critically assess, in a careful, charitable, and sophisticated manner, a number of challenging positions and arguments in philosophy of religion, and in doing so develop and refine our critical reasoning skills.

Why do we still read the Odyssey almost three thousand years after it was composed? Why is Shakespeare considered to be so important? What makes great literature great? Is it still being written today? Does literature still matter? Can it be important to our lives?

We explore these questions by looking closely at and thinking deeply about classics of world literature in a variety of genres and from various historical periods. Some of the authors we may cover include Homer, Sappho, Du Fu, Hafez, Shakespeare, Emily Dickinson, Tolstoy, Kafka, Hemingway, James Baldwin, and Sheila Heti. While our approach is grounded in close reading and formal analysis, we also pay attention to how literature sounds, how it makes us feel, and whether it has personal relevance to us.

We will occasionally look at art forms such as painting, music, and film to see how “greatness” works in other media; and the class will include a field trip to the Metropolitan Museum of Art. 

Course participants are expected to contribute actively to class discussion, write a number of informal reaction pieces, engage in a few short creative projects, and deliver oral presentations on works of their own choosing.

Students learn how to read actively, think analytically, present their ideas effectively (both orally and in written form), and collaborate with their peers—all skills that will be invaluable to them in college and in their personal and professional lives.

No previous knowledge or course work is required.

Why do dystopian stories keep getting told? Why do we love to read and write these stories? What techniques do writers use to create new worlds? How do these texts allow us to reconsider our own realities?

This course investigates how writers use dystopia and science fiction to not only explore possibilities for the future but to comment on our own present society. Assigned texts will include classic dystopian works like "1984" in addition to more recent contributions to the genre from around the globe. We’ll explore how novels, short stories, and even some films and podcasts comment on topics like the ethics of artificial intelligence, the threat of technological advancement, and the relationship between history and science fiction. We’ll consider where this genre will go in the future and investigate why it appeals to such a vast audience.

Participants will develop their writing skills through essay assignments and short responses. Students will analyze complex texts and practice rhetorical analysis through writing and group activities. Class meetings will focus on collaboration between peers through discussion of both our course texts and student writing. By the end of the course, students will have grown as writers, thinkers, and public speakers.

This course provides a foundational understanding of journalism, covering its history, contemporary practices, and essential skills. Students will learn journalistic writing, interviewing techniques, news gathering, and research. Emphasis is placed on media ethics, responsibility, and critical analysis of news. 

The course will also explore the principal ethics of journalism, using real world examples of sensationalism, diversity, bias, and current and historical events. Students will engage with practical exercises of how to write a feature story, highlighting their knowledge of form, style, and methods acquired over the course of three-weeks. By the end of the course, students will have the skills needed for effective storytelling in today's dynamic media landscape.

The exciting field of sports journalism blends a passion for sports with writing, reporting, and broadcasting. Through this survey-style course, students will be introduced to different areas of the profession, and practice the necessary skills to be successful in a sports journalism role. Beginning with the foundations of looking at sports as a business and relaying details of a game/players to different audiences, students will begin analyzing sports through a non-spectator lens. Students will work through different areas of sports journalism, including covering sports “beats”, how to intersect sports with society, broadcasting, and interviewing. Additionally, students will practice their new-found skills through real-world exercises and real-time games. By the end of the course, students will have a better understanding of what this profession entails, and an acumen for the tasks required for a successful career in sports.

Conflict is a part of life. Most people do not like conflict because they usually do not resolve their conflicts well and so they develop a distaste for it. There are also ways to constructively engage in conflict that lead to better quality outcomes and relationships. In this course, students learn basic concepts about conflict resolution so that they can develop a deeper and broader understanding of conflict dynamics. There are many types of conflicts and in this course the students focus on learning more about their interpersonal conflicts with others. They learn skills so they will be able to more constructively resolve their interpersonal conflicts toward win-win outcomes.

These goals are achieved by students developing more self-awareness as to the types of conflict styles they tend to use as their “default” approach. They become more aware of their “hot buttons” and the types of behaviors and situations that cause them to become embroiled in a conflict situation. In addition to learning more about their own habits, they apply these concepts and skills to better understand others around them. By developing more empathy and understanding of others, students are able to reduce the number, types, and intensity of their interpersonal conflicts.

The course is primarily experiential and interactive so students learn by doing and reinforce their learning through immediate application. There are role-plays, simulations, discussions, presentations, film analyses, and other activities designed to enhance learning of the identified concepts and skills.

Due to the sensitive nature of possible content and material covered in this course, it is recommended that students should only register if they have the maturity, and willingness to engage thoughtfully with challenging topics.

This is a course designed for students interested in law, government, and politics. It examines a wide range of contemporary issues subject to constitutional interpretation, introducing students to the constitution, the fundamental concepts of constitutional law, the role of the courts, and the legal limitations on governmental policy making.

Students discuss and analyze topics including separation of powers, federalism, freedom of speech, affirmative action, the death penalty, gun control, civil rights, and abortion. They are exposed to current constitutional challenges and are given the opportunity to explore the relationship between law and society.

Students develop skills that enable them to read and interpret Supreme Court decisions, which serve as the basis for class discussion. Debates and Moot Courts call on students to develop persuasive arguments in defense of their positions, thereby sharpening reasoning and analytical skills.

Due to the sensitive nature of possible content and material covered in this course, it is recommended that students should only register if they have the maturity, and willingness to engage thoughtfully with challenging topics.

The legal profession is remarkably vast and wide. Within it, prospective law students have a variety of exciting opportunities to explore. Through this course, students will acquire a realistic understanding of a career in law and become well-versed in the academic steps and important skills needed to be successful. This course will begin by examining what it’s like to be a lawyer, including the preparation involved (college pathways, the LSAT, and attorney licensing requirements). Then, students will practice key skills needed in the profession, including legal writing, secondary research, and public speaking through in-class activities and homework assignments. By the end of the course, students will have a better sense of if a career in law is the right fit for their career goals and have a new-found confidence in their ability to navigate this ever-growing field. 

This course is recommended for students interested in pursuing a legal studies major in college, attending law school and/or a future career in law. 

Due to the sensitive nature of possible content and material covered in this course, it is recommended that students should only register if they have the maturity, and willingness to engage thoughtfully with challenging topics.

Are human rights still relevant in promoting social justice and freedom in the 21st Century? Human rights law and advocacy have been central to international politics since the end of World War II. However, recent rises in authoritarianism and anti-liberal regimes have raised new questions on whether the human rights framework is still capable of addressing injustices in the modern world. This course introduces students to the law and practice of human rights as well as the challenges of enforcing rights in an international environment that has grown increasingly hostile to principles of human dignity and personal freedom.

Students review the philosophical foundations of human rights and then examine human rights from two perspectives. First, the legal perspective introduces them to basic principles and rules of international law and the main international organizations and mechanisms designed for promoting and enforcing human rights. Second, they adopt the role of social scientist. We debate evidence on the effectiveness of human rights law and discuss challenges of enforcing rights in an international system in which states are not accountable to a higher authority.

Students apply their new knowledge to the problems facing human rights today. Topics may include cultural relativist critiques of human rights as a Western, neo-colonialist institution, challenges from new technologies in state surveillance and autonomous weapons, and existential threats to human populations through climate change and environmental damage. The course includes asynchronous work, which students are expected to complete between class sessions.

Due to the sensitive nature of possible content and material covered in this course, it is recommended that students should only register if they have the maturity, and willingness to engage thoughtfully with challenging topics.

This course provides students with a comprehensive introduction to the legal framework that governs the creation, operation, and dissolution of business organizations. We’ll explore the different types of business entities—such as sole proprietorships, partnerships, and corporations—and learn how to select the right entity based on specific business needs. Students will also examine the legal issues that arise throughout a business’s lifecycle, from formation to operation to termination, including contracts, liabilities, and disputes.

Throughout the course, we’ll evaluate the legal responsibilities of key stakeholders, including agents, partners, and corporate officers and directors, and how their actions impact a business's success or failure. We’ll also propose legal terms to be included in essential business documents, such as articles of incorporation, partnership agreements, and bylaws, to address common organizational challenges. By the end of the course, students will have a broad understanding of how businesses function from a legal perspective. 

No prior knowledge of law is required, though a general understanding of business concepts will be helpful.

Due to the sensitive nature of possible content and material covered in this course, it is recommended that students should only register if they have the maturity, and willingness to engage thoughtfully with challenging topics.

This course is designed to give students an opportunity to explore substantive criminal law and its attendant legal issues. The course provides students with a foundation to examine the structure, policies, interpretation, and application of criminal law. Students evaluate the fairness and morality of punishments, analyze and apply legal defenses and contemplate basic elements of crimes such as homicide, robbery, and assault, to inchoate crimes like attempt and conspiracy, to crimes against property. Participants also learn to recognize the primary sources of criminal law in the US, and probe the boundaries of statutory law as imposed by state and federal constitutions.

Due to the sensitive nature of possible content and material covered in this course, it is recommended that students should only register if they have the maturity, and willingness to engage thoughtfully with challenging topics.

Knowledge of law and legal process can be used as a tool to address issues of social justice. Whether a lawyer or a layperson, there is opportunity for individuals to engage in advocacy, whether on behalf of a single battered woman or in support of displaced refugees. In this course, which focuses primarily on the legal system in the United States, we:

• Survey the fundamentals of substantive law, such as criminal law, constitutional law, property law, contract law, and torts.
• Explore legal procedure as a means to enhance – or frustrate – justice.
• Look closely at successful litigation and political movements as means of bringing about social change.
• Meet legal practitioners in a variety of advocacy areas who share how they use the law to achieve the ends of justice.
• Visit pertinent sites such as the New York County Criminal Court and District Attorney’s Office (inspiration for Law and Order) and the United Nations Headquarters.

Case studies come from areas such as civil rights, environmental protection, criminal justice, immigration policy, international human rights, family law, and animal rights.

Participants should be willing to dedicate several hours per week on case law readings, drafting of briefs, and related mock trial/moot court preparation. At the conclusion of the course, students, working in groups, produce a strategic advocacy project for addressing an issue of interest to them from among the subjects addressed in the course.

Familiarity with the fundamentals of American government is recommended. Students should have “business casual” outfits for field trips.

Due to the sensitive nature of possible content and material covered in this course, it is recommended that students should only register if they have the maturity, and willingness to engage thoughtfully with challenging topics.

This course focuses on reading case law and interpreting the underlying laws, the research and reasoning that underlie solid legal arguments, and legal writing, while also giving students an inside look at the practice of law today. The course is structured like a traditional introductory first-year law school class.

Students learn first to use the methods and tools of legal reasoning and research, which they marshal to create effective, persuasive, and sophisticated written legal arguments. Once they have a foundation in legal research, reasoning, and writing, they are given an in-depth look at various types of law through interactive sessions with practicing lawyers, via guest speakers and field trips to law firms. They learn how to problem solve using the lawyer’s toolbox and how to analyze legal sources and develop legal arguments based on and supported by the law and cases we research.

In-class drafting and public speaking exercises strengthen participants’ reasoning, argumentation, and writing skills while introducing them to various types of legal work, including written memoranda and arguments for oral delivery.

Students with strong writing skills will be most prepared for this course. Debate experience is helpful but not required.

Due to the sensitive nature of possible content and material covered in this course, it is recommended that students should only register if they have the maturity, and willingness to engage thoughtfully with challenging topics.

Neuroscience and the law are inextricably linked. Every day, new learning behavior and decision-making discoveries are impacting how lawyers do their jobs. Through this highly discussion-based course, students will explore how understanding the science of human mental processing is imperative to being able to prosecute - or defend - a person’s actions. Specifically, students will work through challenging case studies, medical journals, and court decisions that illustrate the challenges and complexities in trying to assign culpability. Additionally, students will practice critical thinking and argumentation skills on a variety of relevant topics through in-class debates and activities. By the end of the course, students will acquire a comprehensive skill set for further inquiry, and a new-found appreciation for how assessing human behavior is imperative to a successful career in law. 

This course is recommended for students with a strong interest in the social sciences and/or law. No prior knowledge of psychology, neuroscience, or law is required. 

Due to the sensitive nature of possible content and material covered in this course, it is recommended that students should only register if they have the maturity, and willingness to engage thoughtfully with challenging topics.

This course examines the United States Supreme Court and several of the major social and legal issues over which it has jurisdiction. Beginning with a brief introduction on how cases are heard by the Supreme Court, we proceed to a wide-ranging look inside America's most hotly debated cases and the issues that shape them. Covering both the substantive and the procedural law, students learn how to identify legitimate arguments for and against each topic and gain an understanding of constitutional challenges and limitations.

Topics under consideration may include privacy rights, freedom of speech, LGBTQ rights and the determination of sex and gender, the death penalty, legalization of marijuana, voting rights, gun control, and coronavirus-related issues. The course includes asynchronous work, which students are expected to complete between class sessions.

Due to the sensitive nature of possible content and material covered in this course, it is recommended that students should only register if they have the maturity, and willingness to engage thoughtfully with challenging topics.

Preparing for trial is one of the most important jobs of a lawyer. And, it’s not easy: Success in the courtroom requires a deep understanding of the trial process, as well as sophisticated skills in evidence analysis, argumentation, and relationship management with all involved parties (law enforcement, witnesses, experts, the judge, their client, other attorneys, etc.). Performing well in the courtroom takes both study and practice and through this course, students will gain hands-on experience in both preparing for - and simulating - a trial. Students will begin by learning about the particulars of the United States Legal System and trial logistics, including how to navigate different parts of the proceedings. After learning the fundamentals, students will practice analyzing and validating evidence, developing strategy and arguments, and preparing clients and witnesses. The course will conclude with students practicing their new-found skills by preparing for a mock trial. 

This course is recommended for students with a high interest in pursuing a major in legal studies and/or going to law school. Please note that this course is highly participatory. By signing up, students should be prepared to engage in regular debates, presentations, and to be called on by the instructor to share thoughts and opinions regularly. Prior coursework in debate, argumentation, or intro to law is helpful, but not required. 

Due to the sensitive nature of possible content and material covered in this course, it is recommended that students should only register if they have the maturity, and willingness to engage thoughtfully with challenging topics.

The fascinating field of forensic psychology is at the intersection between criminal justice and science. Working as a forensic psychologist takes advanced training in understanding the criminal mind and the motivations behind behavior. Through this introductory course, students will explore the psychological principles, research methods, legal decision making, and behaviorism behind criminal investigations. Throughout the session, students will work through case studies and news stories illuminating key concepts and will become well versed in key vocabulary, theories, and frameworks that practitioners use every day in their roles. With a focus on foundational concepts, this course will be a strong entry point into psychology, legal studies, social work, or criminal justice majors and professions.

Due to the sensitive nature of possible content and material covered in this course, it is recommended that students should only register if they have the maturity, and willingness to engage thoughtfully with challenging topics.

Throughout our lives, in every role we play, persuasion plays a critical part. In the fields of sales and marketing, the connection is obvious, but when we apply to schools and interview for jobs our ability to frame our capabilities comes into play. The work of trial lawyers may clearly require the ability to influence judges and juries, but teachers, engineers, managers – people in every line of work – at some point need to convince others of a different way of thinking. Even in our personal lives, there are times when we want to change others’ minds.

In this course, students will – through reading, lecture, discussion, exercises, and activities -- learn the art, science and practical techniques used by the most successful marketers and salespeople. Over the course of the term, we will cover broad themes that inform all communication (e.g., motivators, language, storytelling, etc.), as well as best practices specific to each approach (written communication, phone, meetings, speeches, et al).

Have you ever wondered how companies make commercials, how many thousands of ads you see in a single day, why Procter & Gamble sells 12 brands of detergent, or why you buy what you buy?

This course answers these questions and many more as students explore the various strategies used by companies to communicate with the consumer. Through selected readings including marketing texts, case studies, and current news articles, students acquire a general background in marketing, advertising, and public relations. The course includes asynchronous work, which students are expected to complete between class sessions.

Digital media has surpassed television to become the most important way for marketers to reach and influence consumers. While television advertising represents just one method of affecting consumer sentiment (video ads), digital is far more complex, offering video, search, social, email, and more.

In this introductory course, students will learn how marketers leverage digital media to promote and sell products. Students will come to understand the inner workings of multiple digital media platforms (e.g., search, video, display, gaming, et al.) and the strategies and tactics marketers employ to influence consumers. In addition, students will explore the ethics of big data and privacy, as well as develop an understanding of how marketers use digital media to influence consumers.

The course culminates with a final project presentation which allow students to put into practice topics and theories about digital media and advertising covered during the course.

This course has no prerequisites and is appropriate for anyone interested in the fields of marketing and media, as well as those interested in the topic of persuasion and how corporations influence consumer behavior.

Behind any successful marketing plan, stand the four pillars of the marketing mix: product, price, placement, and promotion. Looking closely at each element, students will engage in an introductory study of the four Ps, delving into the theory and practice behind its application. 

Through selected readings, including marketing texts, case studies, and current news articles, students will look closely at the marketing mix in action, examining what strategies lead to a lucrative and successful marketing plan. By the end of the course, students will be able to identify the key elements of the marketing mix structure, apply methods for market research, and craft their own introductory marketing plans, utilizing the basic principles of the four Ps.  

The ability to skillfully influence and persuade others is the key to success in business, civic engagement, and politics. The primary goal of the course is to help prepare students to organize and present information in compelling and concise ways. While the art and science of persuasion has a long history, recent breakthroughs in the field of Generative A.I. are poised to completely upend traditional approaches to the creation and targeting of persuasive messages. The effective use of A.I. as a technology of influence, however, requires an understanding of both the social psychological foundations of persuasion, and a basic knowledge of how A.I. systems work. Toward that end, students who successfully complete this course will gain a solid grounding in how Generative A.I. can be deployed to effectively influence people’s attitudes, opinions, and behaviors in ways designed to optimize specified outcomes. Students will have the opportunity to apply this knowledge through “hands-on” participation in a Team Project, where working in small groups students will build their own persuasive messaging campaigns, utilizing “off the shelf” Generative A.I. tools—e.g., ChatGPT, Dall-E, Bard. Together, through the combination of readings, classroom instruction, group work, and in-class learning activities, the overall objective of the course is to improve student’s ability to apply the principles of A.I.-based persuasion to achieve desired business outcomes, galvanize change, and forge greater civic and political engagement.

Laptops, while not required, are highly recommended for In-Person participants. 

Today’s sports industry generates billions of dollars each year, with a significant portion coming from marketing strategies that connect teams, brands, and fans. In this dynamic and energetic course, we’ll explore how sports organizations use marketing to drive fan engagement, boost ticket sales, and build lasting brand loyalty. From creating unforgettable advertising campaigns to leveraging digital media and sponsorships, you’ll gain firsthand insight into the strategies that power the business of sports.

Throughout the course, you’ll learn key marketing concepts such as branding, fan engagement, and event promotion, while analyzing real-world campaigns from top teams or athletes. You’ll also have the chance to apply these concepts by designing your own marketing plan for a sports team or event. Whether you dream of working in sports management, digital marketing, or event planning, this course will give you the skills and knowledge to understand how sports marketing shapes the industry and influences fans worldwide. By the end of the course, you’ll be ready to create your own sports marketing strategy and appreciate the business side of the game!

This course focuses on theoretical mathematics that is not typically part of a traditional high school curriculum. The course covers a variety of topics including: logic, set theory, number theory and combinatorics. An emphasis is placed on proof throughout the course and different techniques of proof, including mathematical induction, direct proof and proof by contradiction will be discussed. While some applications will be considered, this course will primarily focus on theoretical concepts.

This course is titled A Bridge to Higher Mathematics because it will help to teach you the reasoning and proof - writing skills that you will need for higher - level university mathematics, and more generally, STEM courses. It will give you a path for learning the skills that you need to succeed in higher - level mathematics.

Is the universe infinite or finite? What is the curvature and overall shape of the space we live in, and how might we detect this? In this course, participants learn how models for topological spaces relate to theories on the shape of the physical universe. Philosophical discussions are informed by pencil and paper computations, experiments with common household materials, and interactive online games and modules.Participants gain, in addition to early exposure to modern content at the intersection of topology and physical cosmology, an appreciation for rigorous mathematical thinking that is motivated not so much by numbers and quantity as by profound questions about the nature of our world.

Designed for aspiring physicists and mathematicians, students will delve into the powerful mathematical tools essential for understanding and solving complex physical problems.

Students will develop an understanding of these methods by learning to model, analyze, conduct theoretical investigations and interpret physical phenomena. Through engaging lectures, hands-on problem-solving, and interactive projects, participants will gain proficiency in applying concepts to real-world scenarios. Emphasis will be placed on developing critical thinking skills and intuition to tackle challenges encountered in theoretical and experimental physics.

This course provides a valuable head start for those planning to pursue studies in physics, engineering, mathematics, or related fields at the collegiate level. 

In this course, you'll explore how statistics plays a crucial role in the world of finance. From understanding how financial markets work to learning how to manage risk and make predictions, this course introduces you to the tools that finance professionals use every day. Whether you're interested in stocks, investment strategies, or risk management, you'll gain a solid foundation in how to analyze financial data and make informed decisions using statistical methods.

Throughout the course, you'll work with real-world financial data, apply statistical techniques like probability and regression, and explore the basics of portfolio management and/or market trends. You’ll also participate in group projects, stock market simulations, and case studies that help bring the theory to life. By the end of the course, you'll not only understand how statistics and finance are connected, but you’ll also have the skills to analyze financial information and even predict future trends. Whether you're considering a career in finance, economics, or data science, this course will give you a head start and a deeper understanding of the power of numbers in the business world.

In this course intended for students who enjoy mathematics and logical reasoning, participants explore innovative ways in which math is used in the real world, in fields such as economics, computer science, media, and the physical sciences. By engaging with challenging practical problems, students hone their independent thinking and problem-solving skills.

Areas covered include the following:

• Graph theory, a topic heavily developed by both mathematicians and computer scientists. We explore algorithmic ways to compute, for example, the optimal path between two points on a map (minimizing cost, time, or another parameter). Another application is minimizing the cost of an electrical network which has to provide power to all residents in a new neighborhood.
• Probability and its numerous applications. We look at how probabilities are applied in economics and in popular media, and examine how they can sometimes be counter-intuitive or even deceptive.
• Various counting methods, combinatorics, and examples of Nash equilibria. We study applications of these techniques in economics (the prisoner's dilemma), computer science (assessing the complexity of an algorithm), finance (loans and investments), and biology (population growth).

Students work individually and in groups to find creative solutions to given problems. Each student also works on a project of his or her own choosing, on a topic about which he or she is passionate.

Dive into the dynamic world of neuroscience with this course designed to bridge the gap between cutting-edge research methods and rewarding careers in the biomedical field. Students will explore the vast landscape of neuroscience, from the intricacies of neuroimaging and electrophysiological techniques to the frontiers of molecular neuroscience and computational modeling. Each week unveils a new dimension of neuroscience research, paired with experiments and interactive discussions that bring theoretical concepts to life.

Engage in practical activities like designing experiments, analyzing neuroimaging data, and exploring the ethical dimensions of animal models in research. The course incorporates real-time experiments, where you can observe the effects of neuropharmacological agents on neurons, record brain activity, and even delve into neuroprosthetics. This course not only demystifies complex neuroscience methods but also maps out the diverse career paths within the field, from clinical roles to research careers to cross-disciplinary opportunities.

This course is designed for students interested in the science of the brain, including its evolutionary origins, early development, and role in generating behavior. We explore theories of the brain as the seat of the self from ancient Greece to modern times, and investigate systems that make up the brain from the individual neuron to the entire central nervous system. We also look into how sensation, perception, and decision making work at the physiological level. The course blends historical trends in neuroscience with modern experiments and findings, and touches on major areas of research including animal studies, recording and imaging techniques, computational neuroscience, and neuropharmacology.

In-class small-group exercises, in addition to lectures, allow students to tangibly explore the ideas presented in class. Participants construct various models of the brain, critique professional neuroscientific papers as “peer-reviewers,” and visualize actual neural data with instructor guidance. The course includes asynchronous work, which students are expected to complete between class sessions.

Neuroscience is the study of the neural processes and mechanisms underlying human function and behavior. It is an interdisciplinary field that combines the ideas explored in the field of psychology with the science that governs the brain and body. In order to understand the etiology of disorders such as addiction, post-traumatic stress disorder, and schizophrenia, it is crucial to understand how molecular, cellular, and endocrine changes contribute to disease progression.

In this course, students learn about how the laws of neurons and neurotransmitters direct brain processes. Classes include interactive lectures, discussions, and assignments designed to help students understand the neuroscience of addiction, major depressive disorder, post-traumatic stress disorder, and schizophrenia. Outside of class, students explore case studies of neuropsychiatric disorders so as to fully understand the extent of debilitation and possibilities for recovery. 

Learning and memory are the processes by which we store information about our experiences, which is crucial for our survival. Without learning and memory, we would be unable to acquire basic motor or communication skills, the ability to perform complex reasoning, or social dynamics. Modern neuroscience has made great strides toward understanding how our experiences shape our brains, and how changes in our brains impact behavior.

In this course we explore how our experiences shape who we are, what kinds of changes in the brain are thought to underlie learning and memory, and how learning and memory can contribute to the development of mental health problems such as addiction, depression, or post-traumatic stress disorder (PTSD).

Topics to be covered include types of learning and memory, disorders such as amnesias and dementias, an introduction to the cellular and molecular basis of memory formation, and an in-depth examination about how these processes can contribute to mental health problems. We conclude the course with an overview of innovative treatments under development for various disorders, and how learning and memory might play a role in their therapeutic effects. Topics are approached through lecture, group discussion, short videos, interactive web-based activities, and readings.

Students exit the course with a basic understanding of how modern neuroscientists conceptualize and study the processes of learning and memory, and how this research impacts modern mental healthcare.

This course traces knowledge of the universe from astronomy’s ancient roots to the modern study of extrasolar planetary systems, cosmology, and black holes. Topics include Newton’s laws of motion and universal gravitation, Kepler’s laws, orbital dynamics, and space travel. Additionally, students will contemplate the nature of light, the nature of matter, and nuclear physics. This knowledge to will be used to explore the properties of our sun, solar system, further galaxies, the creation of chemical elements, and the expansion of the universe. By the end of the course, students will be prepared to explore dark energy and the fate of the universe as we know it.

Environmental challenges are perhaps the greatest challenges that society faces today. Building societies that manage our natural resources in ways that do not diminish the ability to provide for future generations includes exciting new approaches from many disciplines including science, engineering, economics, sociology and political science. 

In this course, students will use a systems-approach to problem formulation and solving as they investigate ecosystems, food systems, energy systems, and architecture. Students will learn using material from interactive lectures, laboratory work, engineering design projects and field experiences.  Lectures on ecological restoration, regenerative agriculture, energy efficient building and transportation design will provide background for field trips to the Hudson River, Billion Oyster Project, Vertical Farms, and examples of Green architecture. Hands-on activities will include water quality testing, air quality testing, building solar cars and water wheels. Students will then select, develop and evaluate case studies on different aspects of building a sustainable future!

Is the universe infinite or finite? What is the curvature and overall shape of the space we live in, and how might we detect this? In this course, participants learn how models for topological spaces relate to theories on the shape of the physical universe. Philosophical discussions are informed by pencil and paper computations, experiments with common household materials, and interactive online games and modules.Participants gain, in addition to early exposure to modern content at the intersection of topology and physical cosmology, an appreciation for rigorous mathematical thinking that is motivated not so much by numbers and quantity as by profound questions about the nature of our world.

Do rats laugh? Do dogs pretend? Can birds use tools? While it has traditionally been assumed that animals are not capable of thoughts, emotions, or anything comparable to human intelligence, researchers working with animals from rats and bats to wolves and whales now have an impressive and growing body of evidence, both scientific and anecdotal, that strongly challenges those earlier suppositions.

This course surveys the fascinating field of cognitive ethology—the study of animal minds—and explores questions of what animals think and feel, the complexity of their thought, and the depth of their emotions. Students examine cutting-edge research from fields such as cognitive neuroscience, psychology, endocrinology, and ethology that support the theoretical ideas first proposed by Darwin, who is often credited as the first scientist to seriously study the emotional lives of animals. Darwin’s ideas were later advanced by Donald Griffen, the “father of cognitive ethology,” whose big questions about animal consciousness laid the groundwork for the explosion of research we see today. What we are learning about animal sentience is transforming our understanding of non-human animals, creating impetus for new research into how they experience the world, each other, and possibly themselves.

In this seminar-style class, students read and discuss the research of ethologists such as Marc Bekoff, Konrad Lorenz, James Gould, Jane Goodall, Franz De Waal, and E.O Wilson. These pioneering researchers fundamentally changed our understanding of the animal mind, shedding new light on the extraordinary and diverse abilities of our fellow species to learn, problem-solve, use tools, express emotions, and even mourn their dead. What’s more, we are learning that animals communicate complex information in ways we could never have imagined.

A field excursion to the Wolf Conservation Center offer participants an opportunity to observe animal behaviors up close, emulate observation techniques used by scientists in the field, and speak to experts about their research. This first-hand experience provides context for the material covered in class, and gives rise to important questions and rich, stimulating discussions. Students also have an opportunity to explore the broad array of academic and career paths that relate to cognitive ethology, including evolutionary biology, animal behavior, conservation biology, psychology, philosophy and ethics, cognitive neuroscience, science writing, and animal law.

Course requirement include assigned readings of scientific literature and excerpts from books on animal cognition, daily participation in class and small-group discussions, and a final project that demonstrates students’ understanding of the course concepts and content.

Laptops are required for this course.

Chemistry, the central science, is the science of molecules and bonds. Its signature is change in all its manifestations, from events that happen on a geological time scale to those that happen instantaneously, from the cosmological to the subatomic scale. Chemistry provides powerful scientific tools that extend our ability to sense the magnitudes of change by stretching the limits of what we know of our universe.

Intensive Seminars in Modern Chemistry is designed for highly motivated students who want to strengthen their understanding of chemistry and current research methods. The daily program follows a seminar format, beginning with a presentation by senior faculty members and researchers that is expanded upon through small group discussions and laboratory experiences. 

Topics have been selected because they stand out as essential themes of current research, illustrate the methods of science, lend themselves to historical development, and highlight the role of chemistry as the central science. Through integrative experiments and collaborative projects, students discover the synthetic and analytic dimensions of chemistry in forensic, environmental, and materials problems. Experiments emphasize the development of problem-solving and critical thinking skills.

Formal training includes instrumental methods in spectroscopy, chromatography, magnetic resonance, and computer simulations with state-of-the-art equipment in the department’s modern laboratories. Guest lecturers and field trips to area research facilities round out the program. Students are expected to complete a small research project, prepare a scientific paper, and participate regularly in class discussions.
 

The progress of civilization is inscribed in the history of humans and their materials—the Stone Age, the Iron Age, and today’s Age of Plastics. Materials determine the technologies that provide protection, communication, information, construction, mechanization, agriculture, and health. Knowing why glass shatters, wood splinters, steel is tough, rubber stretches (and recovers), nylon can be drawn, and tin flattens makes possible the selection of materials for enormously different applications. Engineers are mostly successful at designing and manufacturing objects and devices, but on occasion there are catastrophic failures—bridges collapse, airplanes fall from the sky, containers leak, pipes burst, and the electrical grid goes down, leaving us cold and in the dark. And there are the annoying little failures—light bulbs burn out, clothes become permanently stained, foods spoil, and batteries die.

In this challenging course, participants experience a hands-on introduction to materials science, engineering, and technology, from the bulk properties of the solid state to the nanoscale properties of large and small molecules and single atoms. Special attention is given to nanoscale materials and devices because of their potential for defining the next generation of important materials and machines. It has been said that the nanoscale is the new frontier of science and technology.

Students investigate these worlds in a discovery-based environment, working under the guidance of an experienced instructor and a team of assistants, research scientists, and technologists from Columbia’s Department of Chemistry and from industry and national laboratories. The studio classroom format integrates laboratory and lecture and encourages teaching and learning especially useful to those considering undergraduate studies in engineering and science.

This curricular option familiarizes students with the foundations of physics and chemistry from a modern perspective.

Lectures, discussions, and simulations focus on topics such as electromagnetic radiation, spectroscopy, elementary particles, the quantum mechanics of atoms, special relativity, and gravitation.

Simulations and virtual experiments concentrate primarily on the interference of electromagnetic waves, the orbital motion of planets, and conservation laws.

Designed for aspiring physicists and mathematicians, students will delve into the powerful mathematical tools essential for understanding and solving complex physical problems.

Students will develop an understanding of these methods by learning to model, analyze, conduct theoretical investigations and interpret physical phenomena. Through engaging lectures, hands-on problem-solving, and interactive projects, participants will gain proficiency in applying concepts to real-world scenarios. Emphasis will be placed on developing critical thinking skills and intuition to tackle challenges encountered in theoretical and experimental physics.

This course provides a valuable head start for those planning to pursue studies in physics, engineering, mathematics, or related fields at the collegiate level. 

This course delves into the fundamentals of Quantum Computing, bridging the gap between quantum mechanics and its groundbreaking applications in computing. It focuses on developing students’ knowledge and skills in modern quantum technologies with numerous real-world applications. The course will include lectures emphasizing conceptual understanding and problem-solving, as well as essays and group projects to foster collaborative learning.

Topics include:

• Quantum Mechanics Foundations: Understanding quantum states, superposition, entanglement, and the evolution of quantum systems.
• Quantum Bits (Qubits): Exploration of qubits as the basic units of quantum information and their state manipulation.
• Quantum Algorithms: Introduction to key algorithms like Shor's algorithm for factoring and Grover's search algorithm.
• Quantum Computing Models: Study of quantum circuits, quantum gates, and error correction.
• Quantum Technologies: Insight into current quantum computing hardware and future prospects.

This course is designed for motivated high school students who want to expand their knowledge of modern physics and be at the forefront of technological innovation.

What makes the universe tick? At the heart of modern physics lies Einstein’s theory of special relativity—a revolutionary idea that redefined time, space, and energy. From the iconic equation E=mc2 to the strange realities of time dilation and length contraction, this course invites you to explore the concepts that forever changed how we understand the cosmos. Along the way, you’ll see how Einstein’s ideas influence everything from black holes to interstellar travel, laying the groundwork for some of today’s most thrilling scientific discoveries.

In this three-week journey, you will delve into the foundational principles of special relativity, including spacetime, Lorentz transformations, and the interplay between relativity and electromagnetism. You’ll also connect these ideas to larger concepts like the Doppler effect and general relativity, gaining a preview of college-level physics without getting bogged down in heavy mathematics. With thought experiments, interactive discussions, and real-world applications, this course is perfect for students eager to uncover the elegance and mystery of Einstein’s legacy. 

The origin and evolution of the Universe is one of the greatest (and oldest) questions ever asked. In a little over a century, cosmology has matured as a discipline due to improvements in our understanding of fundamental physics and technological advances allowing us to map the Universe in unprecedented detail and perform complex calculations. This course is an introductory review of the field of cosmology for students with a background in physics and math, but not necessarily astronomy.  The course focuses on the field of cosmology, its early history, and its relationships to observational astronomy and particle physics.  We will discuss the observations that led scientists to believe that the Universe is expanding, explanations for the expansion, the origin of the Universe and the evolution of its constituent materials, including dark matter and dark energy.  We will also discuss general relativity and its implications for the structure of the Universe, its history, and predictions regarding astrophysical phenomena such as black holes.  In-class discussions and activities based on primary source research papers will complement in-class problem solving and supplemental readings.

Quantum mechanics is the science of the “small”; understanding how matter and light behave. An exciting application of modern physics, the field focuses on computing objects such as expectation values, vector evolution, and decoherence times through linear algebraic frameworks. The result of this work includes advancements in cybersecurity, electronics, aviation, communications, and engineering (to name a few). 

Through this course, students will explore the basics of theoretical foundations, equations, computations, and principles that impact the way we live today, and our future. Beginning with an exploration of topical ideas from  popular physicists, students will work through probability theory that will lead to sophisticated explanations of the world, as well as computations that will provide an elevated level of awareness for how humans work and play. By the end of the course, students will look at the world differently, and be prepared for more sophisticated study in this area.